These works did not emerge as a predefined system. They developed gradually, out of different situations, but always around the same inner preoccupation: with what is not fully present, what is delayed, disappears, slips away, or remains only as a trace. Over time, there has probably been a growing need in me to think about time itself, but also about existence and non-existence, and to build from those questions temporary structures that, if only for a moment, reduce the fear of disappearance. For that reason, I am less interested in closed forms and more in the conditions under which something appears, changes, weakens, or becomes visible again. Fragment, delayed access, changes in the density of time, the wearing down of a word through its own use, an entity enclosed within its own lifespan, banal traces of presence that gain weight only later — these are different forms of the same attempt. Not to explain the world, but to register more precisely what in it often remains unnoticed. These works do not offer conclusions. They establish situations in which what is transient, absent, or unstable can be observed from a shorter distance.